Delhi Art Gallery
Delhi
- 建築家
- Morphogenesis
- 年
- 2009
Typology
Institutional
Location
Delhi
Start of design
July 2009
Completion Year
October 2009
Client
Delhi Art Gallery
Built-up Area
950 Sq.Ft
Site area
N/A
Climate
Composite
Credentials
Consultants
PMC - Morphogenesis
Electrical: Morphogenesis
Engineering - Morphogenesis
HVAC: Morphogenesis
Product Design - Morphogenesis
Signage - Morphogenesis
Photographer
Edmund Sumner
Contractors
Electrical – DCA workshop
Civil - DCA workshop
HVAC – DCA workshop
PMC - Morphogenesis
Engineering – DCA workshop
Signage – DCA workshop
The Delhi Art Gallery is an endeavour to create a simplistic space to retail the best of contemporary art in India, while positioning itself in the new Indian Contemporary Art Retail Paradigm. The architecture aims to generate a new genre of art retail; a calm and introspective retail store conducive to the appreciation of art in a gallery-like environment for the art aficionado looking to invest money in these prized possessions. A pre-requisite to art retail is the maximization of wall space, which is designed for maximum exposure of a quantum of art works. Additionally, the store was intended to have the ability to transform itself for a variety of art events; to house the complete bandwidth of art works; from high-end solo shows of a few works to huge group shows with segregated and mobile spaces. Another challenge was to accommodate a library, an area for public dissemination of art works, storage, display and offices all within an area of 900 sq ft.
Conceptually conceived as an exuberant, glowing event space, the intent was to create an optimal setting for exhibiting art, which would be flexible, to present an array of art works in their varied forms and sizes, while at the same time ensuring that the limited wall area is best optimized. This was done by create more wall area for the retailing of the art works by means of a combination of fourteen movable/ reconfigurable panels and 3 Fixed Panels to create six rooms instead of one. The interplay of the panels provides the entire space with an intended dynamism which expresses itself by way of a constantly transforming architecture; by creating an event space and an experience which can display the art in an innovative, yet elegant manner. Passersby have the chance to glimpse the action inside; the repetition and variation of the panels and the performance itself.
This flexibility allows for the creation of a multitude of display spaces. The heights and spans of the panels were derived from feedback from the curator in order to obtain lengths and widths that allow for easy configuration, display, and circulation within the store. They frame distinct and unanticipated views. Each panel offers a surface as a means of display, which can be as dense or as sparse, deemed necessary by the artwork that is on display. Lighting is easily configurable and flexible in accordance with the arrangement of the panels and panel sizing. Simplicity is achieved through the materiality; the flooring is in a subtle grey natural stone and the gleaming whitewashed backdrop provides a blank canvas for the works of many nationally and internationally acclaimed artists. All lines are straight and minimal in order to create an architecture that is impactful and yet does not challenge the artworks or vie for attention.
A partially imposing box made of muted white, fretted-screen panels anchors and encloses the formal entrance space/ meeting area while creating a private space for customized retail and viewing of the shortlisted artwork before its final sale. An information hub characterizes the entrance space by generating interest, before one actually steps into the gallery. A composition of shelves dominates the entrance space, and is used for displaying catalogues and other publications. A flat screen tabletop endorses the customized, luxury retail environment; through its e-functions of information, data, publications of each of the artworks. A full wall-sized multi-media projection screen at the entrance façade maximizes the interface between the gallery and passerby; by exhibiting the gallery collection, the pedagogy of the artist and information on the art works itself. Hence, the screen on the front façade virtually extends the gallery space and art becomes inclusive.
Art Retail needs to be viewed differently from a gallery, with the intent of engaging the luxury retail customer and even engaging those not yet initiated into art. DAG defines a new vocabulary in the art retail paradigm that encourages encounters and plays with perception; the spaces within the store are read and used independently by each visitor. The design balances aesthetic simplicity with functional complexity, creating a new muted lexis, allowing for a seamless connect and complete flexibility.
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